Such as cow with horns and nasal to the highest point, the eye and eyebrow for the second level, third level compressed cheekbone, gently smooth the transition between the compression surface, good lighting effects borrowed to create a volume of body mass effect is very clear. The dancer sculpture is now collected in Qin Shihuang Tomb Museum. square DingShang deer during this period while maintaining the characteristics of the relief on the basis of realism also done a lot of artistic bronze doors at the, Shang and Zhou bronze relief in the form of the language arts reasons for the formation and evolution process management, such as the osprey surfaces of the nose as the center will be reduced to slow the high sharp edges, to the symmetrical structure is flat with no ups and downs.
The local remain in order to simplify the whole, showing a complete facial features, to show simple, concise style of art, depicts the local take on the way to line decoration, which is inherited from the pre-decoration technique, such as the acknowledged leaders, osprey ears, phoenix bird wings and tail are in line with its inherent characteristics to be summarized, line and both complement each other. This bronze art has three hoof-like feet. Shang Dynasty Western Zhou bronze relief art on the art of the Shang Dynasty bronze relief inheritance and evolution of the arts from business late due to social and cultural life of political and economic stability and development, regardless of the type of shape objects, casting technology improved, sculpture content rich, have reached unprecedented prosperity, artistic relief basically formed to maintain the overall volume of compression to maintain image integrity.
In order to characterize the local performance of the details of the line features, the Western Zhou angel statues relief art of keeping this unique form of language , and in this era on the basis of a combination of aesthetic ideas of fusion and refining. . The belly of the bronze sculpture is evenly cast with deformed Chi Wen in two rows and six groups. Initially in the Shang Dynasty Zhou Wei River Xichui vassal state, despite the region’s culture and the arts and cultural characteristics of the region, but the bronze figurines relief art in the performance of the Shang dynasty roughly the same content, mainly in the table means more abstract Animal Mask natural form of birds and animals from insects, the shape of the characters appear only occasionally. Animal Mask early Western Zhou Dynasty style and other style decoration, the late Shang Dynasty inherited the artistic expression of the language has been formed, did not show the full range of jump changes the characteristics of the evolution until the mid-Western Zhou has emerged.
Animal Mask shape typical of the Western Zhou Dynasty and Shang similar shape compared to the Western Zhou Dynasty began to appear abstract shape deformation elements, and have some form of decorative patterns. Chi antique bronze, a hornless dragon, shapes like Kui with open mouth and rolled-up tail. Shang relief Animal mask, which is characterized by clear attributes, such as angle, ears, nose, lips, facial structure, processed meat in the art of independent, artistic only on the basis of the original extract, summarize and simplify, the Western Zhou period, the structure of these features As a graphic layout of the gradual appearance of the shape of elements from the human, Shang and Zhou chinese bronze relief in the form of artistic language evolution process and its reasons for the formation of an elongated, distorted, exaggerated, to some extent blurred images of the natural features of the Western Zhou Dynasty Shoumian horns.
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